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The
staff of Critique is proud to present our annual
On Writing Special Edition. Bernard Cornwell,
David Baldacci, Niall Williams, and Jerry Spinelli are just
a few of the authors,
teachers, and translators of merit who contributed their time
and thoughts to our most ambitious issue yet. Find them online
at http://onwriting.critiquemagazine.com.
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THE
SPOOKY ART
by Norman Mailer
Throughout his writing life … Mr. Mailer seems
to
have had a constant Picasso-like
need to dive into new waters, whether it be film, journalism,
long narrative non-fiction—all writing, though all very different genres
within which to perform. Many writers would not have survived this, though Mailer
seems to have done and continues to do so while always being able to go back
to his spooky bitch, the novel.
BROKEN
GOURDS by Beresford McLean
In
the age of “chick lit,” Broken Gourds is
the sort of inspirational folklore that readers probably haven’t
seen in quite some time. The story follows a lowly healer whose
mission is to empower the oppressed while fostering harmony and
hope in a small Jamaican community. This is a story of humanity—the
story of its foundation: Love. It is a story of life.
DARWIN:
A LIFE IN SCIENCE
by Michael White and John Gribbin
Though Darwin did not foresee how this story of stories would
unfold, our very geno-centric biology is a perfectly logical
consequence
of the way Darwin chose to describe evolution in terms of inheritance,
random variation, and natural selection, including the survival
of adapted species. In this sense alone, Darwin was ahead of
his time.
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