Villard
Books, 2001
ISBN 0-3375-50478-8 |
Reviewed
by Kim Chinquee

licia
Erians eye-opener,
The Brutal Language of Love, spills
compelling words and situations onto each and every page. This debut
collection is provocative and engaging, a sure sign of Ms. Erians
consistent talent. The protagonists, all of whom are women, take
their readers through heartbreaking tales of love and sex, and dilemmas
caused by the intertwining of the two. Some characters celebrate
sexual liberation; some are naïve, wanting love, sacrificing
their bodies, their sex and their selves, and the bitter consequences
are so affective, you may have to put the book down and take a break
to catch your breath.
The collection
begins with, "Beatrice told Shipley she would sleep with him,
and then she passed out," the first line of "Standing
Up to the Superpowers." In this story, Beatrice deals with
her affair with her professor, Fetko, her job in a clothing store,
and her encounters with Shipley, which result in bizarre circumstances
and odd relationships. In "Alcatraz," thirteen-year-old
Roz sleeps with her neighbor, Jennings, and tries to avoid the daily
beatings at school by his friend, Garrett. Years later, Roz sadly
thinks she finds her "self" by meeting with Garrett in
a girls bathroom stall. "Bikini" takes the reader
through Vanessas life, through her relationship with Shawki,
who punishes her for wearing a bikini. After her children are grown
up, her daughter, Ellen, provides Vanessa with her feminist interpretation
of wearing this bikini. In "Almonds and Cherries," film
student, Brigitte, makes a gay movie with the encouragement of her
live-in French ex-boyfriend, Raoul, and this allows her to explore
her sexuality. "Lass" is an account of Shaynas relationship
and marriage to Irishman, Carl, and after they move in with Carls
famous writer father, Niall Meara, and Carls mother, Shayna
becomes Nialls secretary. Shayna and Niall later take a private
swim and he shows her how to love without giving all of herself
up, which she feels compelled to do. A lingerie store worker in
"On the Occasion of My Ruination" has a fling with a high
school sophomore, Jonathan, who works at the pizza place across
from Angelinas. Before leaving for college, she loses her
virginity, tells Jonathan she loves him, and only begins to learn
a hard lesson about life. In "The Brutal Language of Love,"
Penny, who works at a movie theater, finds a lump in her breast.
After her father refuses to help her financially, she tells all
to a student as he films a documentary. Later, her boyfriend, Fritz,
reveals the secret tape that changes Pennys views. The craziness
in "Still Life with Plaster" indirectly parallels the
cast on a gerbils leg to that of Pattys, and the comical
dynamics of this family provide an honest look at ambivalent love.
The last story of the collection, "When Animals Attack,"
takes the reader into the life of pregnant Joyce as she meets homeless
Ellsworth at the bus station at her mothers request. Joyce
learns that her mother compensates the loss of her far-away children
by providing Ellsworth with motherly advice.
The stories in
this collection are daring, and Ms. Erian knows exactly how to keep
a readers attention. Her interesting characters make heartbreaking
mistakes, and one can sympathize with them throughout. The love
in the collection is fierce, as a passage in the story, "The
Brutal Language of Love" states,
The
reality was, you only knew you were loved if you were left and
returned to, if you were ignored and then craved. Occasionally
you would be seen for slightly less than the sum of your parts,
and that was love, too. Love announced itself with a sting,
not a pat. If love was love, it was urgent and ripe and carried
with it the faint odor of humiliation, so that there was always
something to be made up for later, some apology in the works.
Love was never clean, never quiet, never polite. Love rarely
did what you asked it to, let alone what you dreamed it might
do, and it most certainly did not know that your favorite color
was blue.